Well, I’ve been saying this for a number of years: that now we’re all living in a science fiction novel together, a book that we co-write. A lot of what we’re experiencing now is unsurprising because we’ve been prepped for it by science fiction. But I don’t think surrealism is the right way to put it. Surrealism is so often a matter of dreamscapes, of things becoming more than real – and, as a result, more sublime. You think, maybe, of J.G. Ballard’s The Drowned World, and the way that he sees these giant catastrophes as a release from our current social set-up: catastrophe and disaster are aestheticized and looked at as a miraculous salvation from our present reality. But it wouldn’t really be like that.
- Mary Beard, SPQR
- Anabel Hernández, Narcoland
- The history of the decline and fall of the Roman Empire: By Edward Gibbon, Esq
- Berlin Alexanderplatz - Wikipedia, the free encyclopedia
- James Blish, A Case of Conscience
- Alfred Bester, The Demolished Man
- Peter Watts, Blindsight
- Robert Sheckley, Store of the Worlds
- Alfred Bester, The Stars My Destination
- Robert Heinlein, Double Star
Error: Twitter did not respond. Please wait a few minutes and refresh this page.